In “The Sunday Woman,” a murder mystery set in Italy, an attractive woman with a troubled past is implicated in the killing of her husband. She teams up with an inspector who is both foul-mouthed and dogged in his pursuit of the truth. The plot is fast-paced, with twists and turns that keep the audience guessing until the very end. The film combines elements of film noir and romantic comedy, resulting in a highly enjoyable viewing experience.
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Review
Ladies and gentlemen, gather ’round and hear a tale most riveting. A story of passion, power, and murder most foul. A tale that shall astound and amaze you all. Yes, I speak of “The Sunday Woman,” a film set to grace our silver screens soon.
The plot thickens as we follow Anna Carla Dosio, played by the magnificent actress Sophia Loren. Anna is a powerful woman who owns a chain of beauty salons and has an unquenchable thirst for control. She is married to the wealthy Count Piero Dosio, portrayed by Jacques Perrin.
Anna’s life takes a turn when her lover is found dead in her hotel room on a Sunday morning. The prime suspect? Anna herself! But fear not, dear readers! Our protagonist has a cunning plan up her sleeve to prove her innocence.
As the story unravels, we meet a cast of intriguing characters who are all suspects in the murder mystery. There’s Paolo Santangeli (Marcello Mastroianni), an artist with whom Anna has an affair; Silvana Angeli (Tina Aumont), Angelo Aricò (Giancarlo Giannini), Giovanna San Martino (Françoise Fabian), all with motives that could lead them to commit such heinous deeds.
But what sets this film apart from the rest is its Shakespearean flair! With lines like “This world is not made for women like me,” uttered by Loren’s character, it’s hard not to draw comparisons to the Bard himself.
The film also boasts impressive cinematography that captures the essence of 1970s Italy. The score adds another layer of intrigue and suspense that keeps viewers on edge throughout the film.
“The Sunday Woman” was directed by Luigi Comencini with a screenplay written by him alongside Sergio Amidei and Enrico Medioli based on the novel “La donna della domenica” by Carlo Fruttero and Franco Lucentini.
The film has received critical acclaim in Italy and beyond. It won the David di Donatello award for Best Actress (Loren), Best Cinematography, and Best Art Direction. It was also nominated for the César Awards in France for Best Foreign Film.
But the accolades are not surprising when we consider the talent involved in the production. Besides Loren’s stellar performance, Mastroianni brings a charm to his character that is hard to resist. The supporting cast also delivers top-notch performances that elevate the film’s overall quality.
As we bid adieu to “The Sunday Woman,” we can’t help but reflect on its lasting impact on Italian cinema. It remains a must-watch for lovers of murder mysteries, Shakespearean dramas, and Sophia Loren enthusiasts alike.
So if you’re looking for a film that will keep you on edge until the very end while delivering powerful performances and gorgeous visuals, look no further than “The Sunday Woman.”
Technical Data
- Runtime : 109
- Release : 1975-12-23
- Genre : Comedy, Crime
- Cast : Marcello Mastroianni as Commissioner Salvatore Santamaria, Jacqueline Bisset as Anna Carla Dosio, Jean-Louis Trintignant as Massimo Campi, Aldo Reggiani as Lello Riviera, Maria Teresa Albani as Virginia Tabusso
- Crew : Ennio Morricone as Original Music Composer, Agenore Incrocci as Screenplay, Furio Scarpelli as Screenplay, Amy Werba as Assistant Director, Marcello D’Amico as Producer
- Popularity 6.009
- Budget : 0
- Revenue : 0
- Company : Les Productions Fox Europa, Primex
- Summary : Police commissioner Santamaria is investigating the murder of the ambiguous architect Mr. Garrone. The investigations soon drive him into the Torino’s high society. Santamaria suspect Anna Carla and at the same time falls in love for her. Lello is the lover of Massimo, Anna Carla’s gay friend. He is following another direction in order to find out the truth, and his results are confusing the Policeman. But another murder happens…
- Tagline : The police have the victim, the weapon and the suspect. What they don’t have is the Sunday Woman.
